To allow your characters to age, evolve or experience major life changes – beyond the long-teased will-they-won’t-they cop-off at the end of series three – is to risk unbalancing the chemistry or, worse still, allowing them the faculties to consider escaping their intricately constructed comedy bear trap. “There used to be a traditional marker of what a comedy was but the streamers have completely disrupted that,’ he added.Ītalla said the company’s slate now contains scripted projects that have barely any comedic elements in them and predicted broadcasters may soon start merging their comedy and drama departments, although he warned: “The worry here is that traditional comedy would suffer.From Maggie Simpson to Father Dougal, arrested development is so core to the art and sustainability of the average sitcom that there’s even one named after it. Gordon and Worsfield will work across comedy and drama and Atalla, who made a name for himself producing hits such as Ricky Gervais’ The Office, said the move heralds a new era for Roughcut, as barriers between comedy and drama break down. The former has plied her trade for BBC Studios for seven years and the latter worked for Simon Pegg and Nick Frost’s Stolen Picture. He has added to his development team with the hire of Brain in Gear producer Inez Gordon and The Mind of Herbert Clunkerdunk producer Ben Worsfield, both of whom join as development producers. before, with Amazon and NBC ordering respectively, although neither were taken to series.Ī film version of People Just Do Nothing titled Big In Japan aired last year and Atalla said conversations are taking place over the potential to adapt other Roughcut TV shows for the big screen. Roughcut shows including BBC3 double People Just Do Nothing and Cuckoo have been piloted in the U.S. All three seasons are currently available in the U.S. Stath Lets Flats has run for three series on Channel 4 and was an instant critical hit, winning three BAFTAs last year for its second series including Best Actor and Best Writer for Demetriou. “We feel such ownership over our own shows but you can’t sell your house and then tell people how to arrange the furniture.” “Maintaining complete control is a fool’s errand,” he said. UK Networks & Prime Video Donate More To Film & TV Charity Following 800% Rise In Applications For Financial Help
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